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Michael J. Kramer
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Pain-ter
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A Few Ells
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12 October 2023—Teaching & Learning Through Digital Public History Projects
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Barry Olivier, 1935-2023
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Not To Open Public
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Id, Ego, Superego
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Trapped In the Middle
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Hanging in the Balance
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The Pie Plate Theory of History
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Questions Make the Frame
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What the World Needs Now
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2023 June 06—The Global Jukebox & the Celestial Monochord
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What’s That Sound?
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An Angelic Angle
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We’ve Got Chemistry
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Public History’s Downfall
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Free in the Free World, Cool in the Cold War
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Working Out with the Angels
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Run On Sentence
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For a Synesthetic Sound Studies
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2023 April 28—For A Synesthetic Sound Studies
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Succession’s Inheritance
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Cables to Nowhere
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White Collar Blues
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2023 March 23—Folk Music Data
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Talkin’ Bout Which Generations?
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She Fell In Love
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Nobody Home
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Skeletons In the…
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Remembrance of Covids Past
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Gen X Is In Trouble
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Rockumentrarianism
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Shattering Narrative History
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Love Me, Love Me, Love Me, I’m a G-Man
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Articulating Stuart Hall
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The Story Knows Us
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Getting Past the Past
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Mance Lipscomb’s Silhouette Talk
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A Well-Guarded Safe-Deposit Box
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Shadow Aspect
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Mirror Stage
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Grab Asses
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Grab Ass
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On Your Marx
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In the Neighborhood of Art
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Three-Step Prose
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What Is Mountain Music?
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Elemental Responses to Climate Change
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Mooning the World
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Digital Humanities Outside the Center
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The Golden Toad
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Is Punk Rock Intellectual History?
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2022 October 14—Mance Lipscomb’s Silhouette
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Infinite Series of Parallelograms
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2022 September 30-October 01—The Berkeley Folk Music Festival & the Northern California Counterculture
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