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Michael J. Kramer
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Multimodal, Digital & Public History
The Berkeley Folk Music Festival Project
Revising Humbead’s Revised Map of the World
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Assistant Professor @ SUNY Brockport
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Culture Rover - Promiscuous Cultural Criticism
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What Is Mountain Music?
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Culture Rover - Promiscuous Cultural Criticism
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Elemental Responses to Climate Change
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Culture Rover - Promiscuous Cultural Criticism
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Mooning the World
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Issues in Digital History Blog
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Digital Humanities Outside the Center
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Berkeley Folk Music Festival Project Blog
The Golden Toad
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Is Punk Rock Intellectual History?
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Teaching
Syllabus—The American Mind
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Syllabus—Modern America
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2022 October 14—Mance Lipscomb’s Silhouette
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Infinite Series of Parallelograms
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2022 October 01—The Berkeley Folk Music Festival & the Northern California Counterculture
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2022 August 25—Alan Lomax’s Transatlantic Ballad
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Unfamiliar Quotations
Presenting the Past For the Future
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Chance Operations
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Culture Rover - Promiscuous Cultural Criticism
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Simone Forti’s Hands
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Culture Rover - Promiscuous Cultural Criticism
Unfamiliar Quotations
Theory Is a Detour
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Rovings
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No More Tens
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History Unwired
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Emissaries From Woodstock Nation
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Berkeley Folk Music Festival Project Blog
Issues in Digital History Blog
Digitizing the Berkeley Folk Music Festival Archive
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Who Really Won the Cold War?
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2022 May 02—Folk Music Data, Or, The Celestial Monochord and the Global Jukebox
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Digital Cultural History—A Virtual Roundtable
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The Republic of Rock Blog
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“The Singer of Folk Songs” Talk
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The Republic of Rock Blog
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Soul By Proxy
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Rovings
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Issues in Digital History Blog
Defamiliarizing Digital History
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Sticking the Landing
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2022 April 14—The Singer of Folk Songs
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2022 April 03—Digital Cultural History Virtual Roundtable
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Ideas of the PMC
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Blah Blah
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Ms. Fancy
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Generations of Baby Boomers
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Plotz
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Unfamiliar Quotations
How Do We Learn About Technology?
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Culture Rover - Promiscuous Cultural Criticism
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Folk Music Emergency Exit
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Issues in Digital History Blog
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Toward a Multimodal Berkeley Folk Music Festival Project
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Snow This Way
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Oy Canada
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Creating the Berkeley Folk Music Festival Project
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Orature
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Saturation
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Self Made History
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The Price Is Not Right
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Issues in Digital History Blog
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Finding the Berkeley Folk Music Festival Project
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Berkeley Folk Music Festival Digital Exhibit Receives Award
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Digital History Methods Revisited
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Toward a Definition of Digital Public History
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Rovings
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Happy New Year’s Eve From the Berkeley Folk Music Festival Project
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Berkeley Folk Music Festival Project Blog
Merry Christmas & Happy Holidays From the Berkeley Folk Music Festival Project
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Supply Chain of Fools
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Culture Rover - Promiscuous Cultural Criticism
Unfamiliar Quotations
Only in Music
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Unfamiliar Quotations
Music of the Mind
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Teaching
SUNY Brockport History Major Completes Student Apprenticeship with the BFMF Project
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Issues in Digital History Blog
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History Does Not Compute
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Teaching
SUNY Brockport Digital Public History Experiments
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Unfamiliar Quotations
Memory Recalls the Terror & Hope
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New Footage of the Berkeley Folk Music Festival
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2021 November 19—Taking a Virtual Folk Music World Into Virtual Reality
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The Gap Band
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Tower of Towers
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Horse Sense
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Issues in Digital History Blog
Talkin’ Berkeley Folk Music Festival
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Connections in Sound
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Hitting a Nerve
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On the Fence
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Function at the Junction
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This Show of Ours
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Brain Crossing
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Don’t Get Too Personal
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Refusal
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Rovings
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Travel the Spaceways
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Barrier Glow
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Shoes on Bricks
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Contingency Plans
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Tenure’s Tenure
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2021 September 14—Attica Prison Uprising Exhibit Discussion
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Sunlight
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Covid Open Pit
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Teaching
Syllabus—The American Mind: What Were They Thinking?
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Syllabus—Reading and Writing Across Forms
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Syllabus—Modern America
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Berkeley Folk Music Festival Project Blog
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The Berkeley Folk Music Festival & the Folk Revival on the US West Coast—An Introduction
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Berkeley Folk Music Festival Project Blog
Coming Fall 2021—Extensive Digital Exhibit About the Berkeley Folk Music Festival
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Unfamiliar Quotations
History Is Not the Past
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Rethinking “Rethinking Graduate Education”
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