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Sour Grapes

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Tags on Camp

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Shattering Narrative History

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Love Me, Love Me, Love Me, I’m a G-Man

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Articulating Stuart Hall

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The Limits of Writing

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The Story Knows Us

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Getting Past the Past

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Prose vs. Poetry

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Soundscapes

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Rovings

Mance Lipscomb Silouette Greek Theatre 1961
Posted in Berkeley Folk Music Festival Project Blog

Mance Lipscomb’s Silhouette Talk

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A Well-Guarded Safe-Deposit Box

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Shadow Aspect

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Mirror Stage

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Grab Asses

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Grab Ass

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On Your Marx

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In the Neighborhood of Art

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Three-Step Prose

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Rovings

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What Is Mountain Music?

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Elemental Responses to Climate Change

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Mooning the World

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Digital Humanities Outside the Center

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Rovings

Posted in Berkeley Folk Music Festival Project Blog

The Golden Toad

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Is Punk Rock Intellectual History?

Posted in Teaching

Syllabus—The American Mind

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Syllabus—Modern America

Mance Lipscomb Silouette Greek Theatre 1961
Posted in Events

2022 October 14—Mance Lipscomb’s Silhouette

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Rovings

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Infinite Series of Parallelograms

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2022 September 30-October 01—The Berkeley Folk Music Festival & the Northern California Counterculture

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2022 August 25—Alan Lomax’s Transatlantic Ballad

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Presenting the Past For the Future

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Rovings

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Chance Operations

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Simone Forti’s Hands

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Theory Is a Detour

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Rovings

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No More Tens

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History Unwired

Posted in The Republic of Rock Blog

Emissaries From Woodstock Nation

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Digitizing the Berkeley Folk Music Festival Archive

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Who Really Won the Cold War?

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Rovings

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2022 May 02—Folk Music Data, Or, The Celestial Monochord and the Global Jukebox

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Digital Cultural History—A Virtual Roundtable

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The Singer of Folk Songs Talk

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Soul By Proxy

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Rovings

Mance Lipscomb Gradient
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Defamiliarizing Digital History

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Sticking the Landing

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2022 April 14—The Singer of Folk Songs

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2022 April 03—Digital Cultural History Virtual Roundtable

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Ideas of the PMC

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Rovings

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Blah Blah

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Ms. Fancy

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Generations of Baby Boomers

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Plotz

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How Do We Learn About Technology?

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Folk Music Emergency Exit

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Toward a Multimodal Berkeley Folk Music Festival Project

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Snow This Way

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Oy Canada

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Creating the Berkeley Folk Music Festival Project

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Orature

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Rovings

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Saturation

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Self Made History

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The Price Is Not Right

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Finding the Berkeley Folk Music Festival Project

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Berkeley Folk Music Festival Digital Exhibit Receives Award 

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Digital History Methods Revisited

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Toward a Definition of Digital Public History

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Rovings

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Happy New Year’s Eve From the Berkeley Folk Music Festival Project

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Merry Christmas & Happy Holidays From the Berkeley Folk Music Festival Project

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Supply Chain of Fools

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Only in Music

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Music of the Mind

Posted in Berkeley Folk Music Festival Project Blog Teaching

SUNY Brockport History Major Completes Student Apprenticeship with the BFMF Project

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History Does Not Compute

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Rovings

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SUNY Brockport Digital Public History Experiments

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Memory Recalls the Terror & Hope

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New Footage of the Berkeley Folk Music Festival

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2021 November 19—Taking a Virtual Folk Music World Into Virtual Reality

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Rovings

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The Gap Band

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Tower of Towers

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Horse Sense

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Talkin’ Berkeley Folk Music Festival

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Connections in Sound

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Hitting a Nerve

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On the Fence

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Function at the Junction

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This Show of Ours