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Michael J. Kramer
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Multimodal, Digital & Public History
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Assistant Professor @ SUNY Brockport
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Culture Rover – Promiscuous Cultural Criticism
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Culture Rover - Promiscuous Cultural Criticism
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Talkin’ Bout Which Generations?
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Instrumental
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The Phantom Public
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She Fell In Love
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Nobody Home
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Skeletons In the…
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Liberty Tree
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Shapes
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Gross Reiterative Impressionism of a Computer
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American Will, American Intellect
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Stylish Analysis
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Culture Rover - Promiscuous Cultural Criticism
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Remembrance of Covids Past
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Gen X Is In Trouble
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Rockumentrarianism
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Culture Rover - Promiscuous Cultural Criticism
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Tags on Camp
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Shattering Narrative History
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Love Me, Love Me, Love Me, I’m a G-Man
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Articulating Stuart Hall
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The Limits of Writing
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The Story Knows Us
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Getting Past the Past
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Prose vs. Poetry
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A Well-Guarded Safe-Deposit Box
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Shadow Aspect
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Mirror Stage
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Grab Asses
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Grab Ass
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On Your Marx
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In the Neighborhood of Art
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Three-Step Prose
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What Is Mountain Music?
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Elemental Responses to Climate Change
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Mooning the World
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Infinite Series of Parallelograms
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Presenting the Past For the Future
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Chance Operations
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Simone Forti’s Hands
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Theory Is a Detour
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No More Tens
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History Unwired
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Who Really Won the Cold War?
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Sticking the Landing
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Ideas of the PMC
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Blah Blah
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Ms. Fancy
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Generations of Baby Boomers
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Plotz
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How Do We Learn About Technology?
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Berkeley Folk Music Festival Project Blog
Culture Rover - Promiscuous Cultural Criticism
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Folk Music Emergency Exit
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Snow This Way
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Oy Canada
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Saturation
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Self Made History
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The Price Is Not Right
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Supply Chain of Fools
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Only in Music
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Music of the Mind
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History Does Not Compute
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Memory Recalls the Terror & Hope
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The Gap Band
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Tower of Towers
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Horse Sense
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Hitting a Nerve
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On the Fence
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Function at the Junction
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This Show of Ours
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Brain Crossing
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Don’t Get Too Personal
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Refusal
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Travel the Spaceways
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Barrier Glow
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Shoes on Bricks
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Contingency Plans
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Tenure’s Tenure
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Sunlight
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Covid Open Pit
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History Is Not the Past
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