Category: Issues in Digital History
Syllabus: Historical Research Methods—Music and History
Life During Covid-19 Digital Pop-Up Exhibition
Student Showcase: Rochester, New York and the “Long Hot Summer” of July 1964
Lesson Plan: R-E-S-P-E-C-T and the Social Movements of the Sixties
04/03/20: Digital Cultural History—A Roundtable @ OAH Conference, Washington, DC
02/14/20: Douglass Day @ SUNY Brockport
Syllabus: Digital Methods for Historical Projects
Students Examine Folk Music History Through a Digital Lens
Student Showcase: Blue Crystal Fire—Transposing Robbie Basho
Student Showcase: Jammin’ with Jerry
Student Showcase: Nina Simone—The Life, Legacy, and Activism of the High Priestess of Soul
Student Showcase: Atomic Folk—The Folk Music Revival and the Bomb
Humbead’s Map Folk Music Data Viz
Digital Analysis vs. Communication
Assignment: Thirteen Ways of Looking at a Thesis
Digitizing Folk Music History Artist Residency: Anna Roberts-Gevalt
Mapping Humbead’s Map Interactively
Journey to Humbead’s
Syllabus: Digitizing Folk Music History, Spring 2019
Syllabus: Approaching Digital Humanities, Spring 2019
Dancing In and Out of the Digital Archive
Digitizing the Berkeley Folk Music Festival Archive
Some Preliminary Reflections on Reconceptualizing Cultural Histories of the Atlantic World, Digitally and Interculturally
A Foreign Sound To Your Ear: Digital Image Sonification for Historical Interpretation
10/16-17/18: Atlantic World Forum @ Middlebury College
10/05/18: “‘A Foreign Sound to Your Ear”—Digital Image Sonification for Historical Interpretation
09/05/18: Podcast Chat About Digital History & Cultural History of the Computer
Glitching History: Using Image Deformance to Rethink Agency & Authenticity in the 1960s American Folk Music Revival
