Category: Berkeley Folk Music Festival Project Blog

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Research Assistants Visit Humbead’s World

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Harry Smith Speaks

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Tribute to Barry Olivier

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Barry Olivier, 1935-2023

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For a Synesthetic Sound Studies

This Machine Kills Fascists

The Berkeley Folk Music Festival Project

Revising Humbead’s Revised Map of the World

Mance Lipscomb Silouette Greek Theatre 1961
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Mance Lipscomb’s Silhouette Talk

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The Golden Toad

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Digitizing the Berkeley Folk Music Festival Archive

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The Singer of Folk Songs Talk

Mance Lipscomb Gradient
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Defamiliarizing Digital History

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Folk Music Emergency Exit

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Toward a Multimodal Berkeley Folk Music Festival Project

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Creating the Berkeley Folk Music Festival Project

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Finding the Berkeley Folk Music Festival Project

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Berkeley Folk Music Festival Digital Exhibit Receives Award 

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Happy New Year’s Eve From the Berkeley Folk Music Festival Project

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Merry Christmas & Happy Holidays From the Berkeley Folk Music Festival Project

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SUNY Brockport History Major Completes Student Apprenticeship with the BFMF Project

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New Footage of the Berkeley Folk Music Festival

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Talkin’ Berkeley Folk Music Festival

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The Berkeley Folk Music Festival & the Folk Revival on the US West Coast—An Introduction

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Coming Fall 2021—Extensive Digital Exhibit About the Berkeley Folk Music Festival

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Folklore in the Metropolis Video

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Berkeley Folk Music Project Receives NEH Funding

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Some Glimpses of Pete Seeger

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Berkeley Folk Music Festival On Instagram

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Berkeley Folk Music Festival Performer Cards

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The Berkeley Folk Music Festival on KPIX News in 1968

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Mance Lipscomb @ the 1961 Berkeley Folk Music Festival

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Talkin’ Folk Music—Panel Discussions @ the 1959 Berkeley Folk Music Festival

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Chuck Berry @ the 1965 Berkeley Blues Festival

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Janis Joplin @ the 1963 Monterey Folk Festival

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Jerry Garcia @ the 1962 Winter Berkeley Folk Music Festival

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Thinking the Blues

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Students Examine Folk Music History Through a Digital Lens

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Madison Middleton’s Blue Crystal Fire: Transposing Robbie Basho

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Eleanor Pontikes’s Jammin’ with Jerry

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Gabby Meeks’ Nina Simone: The Life, Legacy & Activism of the High Priestess of Soul

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Rhys Glennon’s Atomic Folk: The Folk Music Revival and the Bomb

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Humbead’s Map Folk Music Data Viz

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Folk Music Show Business

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Bart Simpson Was a Steel-Drivin’ Kid

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Digitizing Folk Music History Artist Residency: Anna Roberts-Gevalt

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Mapping Humbead’s Map Interactively

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Journey to Humbead’s

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Digitizing the Berkeley Folk Music Festival Archive

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A Foreign Sound To Your Ear: Digital Image Sonification for Historical Interpretation

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Glitching History

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Analog Music >> Digital History: Sights & Sounds From the Digital Berkeley Folk Music Festival Project

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Christian Reyes’s And It Don’t Stop: Hip Hop’s Place in the Evolving History of the Folk Revival

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Kathy & Carol

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Brock Stuessi’s The High Lonesome Avant-Garde: Spiritual Fascinations With Roscoe Holcomb

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Jacob Frazer’s The 1968 Berkeley Folk Music Festival Documentary Video Collage

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Folklore, Fakelore, and More Lore

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Digitizing Folk Music History Seminar Introductory Listening Mix

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Striking Some First Chords

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At the 1968 Berkeley Folk Music Festival with KPIX News

SF Globe Berkeley Folk Music Festival On As Usual 1968
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Digitization!

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Lily Orlan’s Chronicling Dylan’s Chronicles

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Julia Popham’s A Displaced Legacy: The Story of Omie Wise From 1808 To Now

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Rebecca Klein’s Connection Through Music in the Civil Rights Movement

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Tanner Howard’s Traversing the Borderlands

Tom Dooley Kingston Trio
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Melissa Codd’s Tom Dooley Must Hang: Folk Commodification

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Camille Michelotti’s A Closer Look at the Folkways Anthology of American Folk Music

Posted in Berkeley Folk Music Festival Project Blog Unfamiliar Quotations

What Is Folk Music? Bob Dylan Redux

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Journeys to Big Rock Candy Mountain

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Hang Down Your Head

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What Is Folk Music? Newport Folk Festival Edition

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What Is Folk Music? Big Bill Broonzy Edition

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What Is Folk Music? Bob Dylan Edition

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What Is Folk Music? Pete Seeger Edition

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Basses Backward

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This Land Is…Not As It Seems

Mississippi John Hurt, Sam Hinton, Doc Watson @ 1964 Berkeley Folk Music Festival. Photographer: Kelly Hart.
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When Mississippi John Hurt’s Head Moved

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Distorting History (To Make It More Accurate)

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Line Dancing

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Berkeley & Beyond—Neil V. & Terri Rosenberg Video

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Berkeley Folk Music Festival TV Footage 1968

Alan Lomax 1930s
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Citizen Folklorist

Tom Dooley Kingston Trio
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Tom Dooley Studies

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Sketching the Folk Revival

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Folk Revival Timeline Time Again

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Digitizing Folk Music History: Introduction Music Mix

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Syllabus—Digitizing Folk Music History

Digitizing Folk Music History_WQ16 course flyer 11_9_15
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New Course—Digitizing Folk Music History Seminar

Alan Lomax recording in Dominica, 1962. Photo by Antoinette Marchand.
Posted in Berkeley Folk Music Festival Project Blog Culture Rover - Promiscuous Cultural Criticism Unfamiliar Quotations

Name That Tune

Mance Lipscomb Silouette Greek Theatre 1961
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A Foreign Sound To Your Ear: Digital Image Sonification for Historical Interpretation

Anthology of American Folk Music Front
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Fishin’ Blues

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The Humanities Go Digital @ Northwestern

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History On the Line

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Writing On The Past, Literally (Actually, Virtually)

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Pete Seeger’s Doink

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It Goes This Way and That Way

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What Is Folk Music, Anyway?

Mance Lipscomb Silouette Greek Theatre 1961
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Thinking Through Sound

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Syllabus—Digitizing Folk Music History

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