Category: Berkeley Folk Music Festival Project Blog
03/22/21: Folklore in the Metropolis—Benjamin Botkin, Tony Schwartz, Norman Studer & the Search for Cultural Renewal, SUSIH Conference
Berkeley Folk Music Project Receives NEH Funding
Some Glimpses of Pete Seeger
Berkeley Folk Music Festival On Instagram
Berkeley Folk Music Festival Performer Cards
Syllabus: Historical Research Methods—Music and History
The Berkeley Folk Music Festival on KPIX News in 1968
Mance Lipscomb @ the 1961 Berkeley Folk Music Festival
Talkin’ Folk Music—Panel Discussions @ the 1959 Berkeley Folk Music Festival
Chuck Berry @ the 1965 Berkeley Blues Festival
Janis Joplin at the 1963 Monterey Folk Festival
Jerry Garcia at the 1962 Winter Berkeley Folk Music Festival
Book Review—Thinking the Blues
Students Examine Folk Music History Through a Digital Lens
Humbead’s Map Folk Music Data Viz
Folk Music Show Business
Bart Simpson Was a Steel-Drivin’ Kid
Digitizing Folk Music History Artist Residency: Anna Roberts-Gevalt
Mapping Humbead’s Map Interactively
Journey to Humbead’s
Syllabus: Digitizing Folk Music History, Spring 2019
Digitizing the Berkeley Folk Music Festival Archive
A Foreign Sound To Your Ear: Digital Image Sonification for Historical Interpretation
10/05/18: “‘A Foreign Sound to Your Ear”—Digital Image Sonification for Historical Interpretation
Glitching History: Using Image Deformance to Rethink Agency & Authenticity in the 1960s American Folk Music Revival
Analog Music >> Digital History: Sights & Sounds From the Digital Berkeley Folk Music Festival Project
04/27/18: Full Time Woman: Alice Stuart in Conversation & Concert @ Pop Conference, Seattle
03/17/18: Michael J. Kramer, “When Mississippi John Hurt’s Head Moved: Glitching Region and Race at the 1964 Berkeley Folk Music Festival” @ Current Research in Digital History
