Michael J. Kramer works at the intersection of historical scholarship, cultural criticism, the arts, civic engagement, and digital technology. He is an Assistant Professor in the History Department at The College at Brockport, SUNY, outside Rochester, New York, and splits his time between there and Chicago. Kramer is the author of The Republic of Rock: Music and Citizenship in the Sixties Counterculture (Oxford University Press, 2013; paperback, 2017) as well as numerous essays and articles for publications such as the New York Times, Washington Post, Salon, First of the Month, The National Memo, The Point, Theater, Newsday, and the US Intellectual History Blog. His current research includes a book-in-progress, This Machine Kills Fascists: Technology and Tradition in the US Folk Music Movement, and a set of related digital and public history projects on the Berkeley Folk Music Festival. He teaches a wide range of courses in modern US history, cultural and intellectual history, history of technology, and digital and public history. Kramer blogs at Culture Rover and Issues in Digital History. His website can be found at michaeljkramer.net.
Previously, he was an adjunct Professor of the Practice on the faculty of Middlebury College, where he served as Acting Director of the Digital Liberal Arts Initiative and taught history, American studies, and digital humanities. Prior to that, he was an adjunct professor at Northwestern University, where he taught history and American studies, co-founded NUDHL, the Northwestern University Digital Humanities Laboratory, and helped to design the Graduate Engagement Opportunities program at Northwestern’s Center for Civic Engagement. He has also worked as a dance and theater dramaturg and an editor in the Design, Publishing, and New Media Department at the Museum of Contemporary Art Chicago and at the website of the New York Times.
Writing & Projects
- “This Machine Kills Fascists”: Technology and Tradition in the US Folk Music Movement (in progress)
- The Republic of Rock: Music and Citizenship in the Sixties Counterculture (Oxford University Press, 2013; paperback, 2017)
- The Berkeley Folk Music Festival Project
- “A Foreign Sound To Your Ear”: Image Sonification for Historical Interpretation
- Revising Humbead’s Revised Map of the World: Digitally Remapping the Sixties Folk Music Revival
- Atlantic World Forum
- Culture Rover: Promiscuous Cultural Criticism
- Issues in Digital History
- The Republic of Rock Blog