Michael J. Kramer works at the intersection of historical scholarship, the arts, digital technology, and cultural criticism. He is the author of The Republic of Rock: Music and Citizenship in the Sixties Counterculture (Oxford University Press, 2013; paperback, 2017). His current research explores the relationship between technology and tradition in the US folk music revival from the early twentieth century to the present; it includes a multimodal digital history project about the Berkeley Folk Music Festival, which took place annually on the University of California-Berkeley campus between 1958 and 1970, as well as more technical research on image sonification for historical interpretation, machine-learning sound analysis software, and the design of the digital essay. Future research focuses on the history of arts criticism in the United States, an intellectual history of the anarchist imagination in America, a history of the service worker in the US, and a biography of Chicago dance critic Ann Barzel. He teaches history and American studies at Middlebury College, where he is Associate Director of the Digital Liberal Arts. He has previously taught at Northwestern University, where he co-founded NUDHL, the Northwestern University Digital Humanities Laboratory. He also freelances as a dance dramaturg and an editorial consultant. He writes about history, the arts, politics, digital humanities, and other topics for numerous publications and blogs at michaeljkramer.net.
Writing & Projects
The Republic of Rock: Music and Citizenship in the Sixties Counterculture (Oxford University Press, 2013; paperback, 2017)