Michael J. Kramer holds a visiting assistant professorship at Northwestern University, where he teaches history, American studies, digital humanities, and civic engagement. He also is an editor in the Design, Publishing, and New Media Department at the Museum of Contemporary Art Chicago. His book, The Republic of Rock: Music and Citizenship in the Sixties Counterculture, was published by Oxford University Press in 2013, and he has written about history, art, culture, and politics for numerous publications. His current book project, "This Machine Kills Fascists: Technology and Culture in the US Folk Music Revival," revises understandings of the folk revival as an anti-modernist movement. As part of the book project, he is developing a multimedia project (website, coffeetable book catalogue, exhibition) about the Berkeley Folk Music Festival (1958-1970). He is also in the early stages of a book on the poet, folklorist, Lincoln biographer, and socialist Carl Sandburg. He is on the steering committee of the Chicago Dance History Project, an oral history and archival digital documentation of dance in the city and its Midwest surroundings, and he serves as the dramaturg for The Seldoms, a contemporary dance company in Chicago. He graduated from Columbia University and received his Ph.D. from the University of North Carolina-Chapel Hill. He is the co-founder of the Northwestern University Digital Humanities Laboratory, writes about digital topics at Issues in Digital History, and blogs about art, culture, and politics at Culture Rover.
Twitter feed: @kramermj
(Oxford University Press, April 2013).
-promiscuous cultural criticism.
The Republic of Rock Book Blog
-thoughts on rock music, the 1960s, and related topics.
Issues in Digital History
-thoughts on digital history and the digital humanities.