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Michael J. Kramer

  • Multimodal, Digital & Public History
    • The Berkeley Folk Music Festival Project
    • Revising Humbead’s Revised Map of the World
    • GlitchWorks: Digital Defamiliarization Tactics for Historical Inquiry
    • The Carryall: The US Cultural & Intellectual History Occasional
    • Fannie Barrier Williams Project
    • SUNY HistoryLab
    • Atlantic World Forum
    • Dramaturgy
    • Digital Humanities Pedagogy
    • Student Showcase
    • Issues in Digital History Blog
  • Writing
    • Books
      • The Garden In the Machine
      • The Republic of Rock
    • Essays & Other Publications
  • Culture Rover
    • Culture Rover – Promiscuous Cultural Criticism
    • On Dance
    • On Theater
    • On Visual Arts
    • On Film & TV
    • On Music & Sound
    • On Politics
    • On History
    • Rovings
    • Unfamiliar Quotations
    • Photo Journal
  • Teaching
    • List of Courses
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  • About
    • Bio
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    • Consulting
    • Assistant Professor @ SUNY Brockport

Rovings

 31 August 2011

august 2011 edition.

Nina Simone.

Sounds

  • Nina Simone, “Let It Be Me”
  • Ernest Tubb, The Texas Troubadour
  • The Sounds in My Head Podcast

Words

  • Scott Saul, Freedom Is, Freedom Ain’t: Jazz and the Making of the Sixties
  • Jefferson Cowie, The 1970s and the Last Days of the Working Class
  • Kent Gustavson, Blind But Now I See: The Biography of Music Legend Doc Watson
  • New Views on R. Buckminster Fuller, Edited by Hsiao-Yun Chu and Roberto G. Trujillo
  • Robert Vanderlan, Intellectuals Incorporated: Politics, Art, and Ideas Inside Henry Luce’s Media Empire
  • Tara McPherson, et. al., “Media Studies and the Digital Humanities,” Cinema Journal 48, 2 (Winter 2009)
  • George R.R. Martin, A Song of Ice and Fire series (Game of Thrones books)

Screens

  • The Franchise
  • Sex, Drugs, and Rock ‘n’ Roll: The Life of Ian Dury

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