
Tag: Digital History


Berkeley Folk Music Festival Performer Cards

Syllabus: Historical Research Methods—Music and History

Lesson Plan: R-E-S-P-E-C-T and the Social Movements of the Sixties

04/03/20: Digital Cultural History—A Roundtable @ OAH Conference, Washington, DC

Syllabus: Digital Methods for Historical Projects

Students Examine Folk Music History Through a Digital Lens

Student Showcase: Nina Simone—The Life, Legacy, and Activism of the High Priestess of Soul

Student Showcase: Atomic Folk—The Folk Music Revival and the Bomb

Humbead’s Map Folk Music Data Viz

Digital Analysis vs. Communication

Assignment: Thirteen Ways of Looking at a Thesis

Digitizing Folk Music History Artist Residency: Anna Roberts-Gevalt

Mapping Humbead’s Map Interactively

Journey to Humbead’s

Syllabus: Digitizing Folk Music History, Spring 2019

Syllabus: Approaching Digital Humanities, Spring 2019

Dancing In and Out of the Digital Archive

Some Preliminary Reflections on Reconceptualizing Cultural Histories of the Atlantic World, Digitally and Interculturally

A Foreign Sound To Your Ear: Digital Image Sonification for Historical Interpretation

10/16-17/18: Atlantic World Forum @ Middlebury College

10/05/18: “‘A Foreign Sound to Your Ear”—Digital Image Sonification for Historical Interpretation

09/05/18: Podcast Chat About Digital History & Cultural History of the Computer

Syllabus: The Computerized Society—A Cultural History of the Computer in the US

It’s All Related

Moving Data

Analog Music >> Digital History: Sights & Sounds From the Digital Berkeley Folk Music Festival Project

01/05/18: Digital Humanities & Pedagogy—Three History Projects in the Classroom @ AHA Conference, Washington, DC

“Through This Archiving, Collecting, & Processing We Can Hope To More Clearly Analyze”: On Brock Stuessi’s WNUR Underground Archive Project
