Tag: Digital History
Berkeley Folk Music Festival Performer Cards
Syllabus: Historical Research Methods—Music and History
R-E-S-P-E-C-T and the Social Movements of the Sixties
04/03/20: Digital Cultural History—A Roundtable @ OAH Conference, Washington, DC
Syllabus: Digital Methods for Historical Projects
Students Examine Folk Music History Through a Digital Lens
Student Showcase: Nina Simone—The Life, Legacy, and Activism of the High Priestess of Soul
Student Showcase: Atomic Folk—The Folk Music Revival and the Bomb
Humbead’s Map Folk Music Data Viz
Digital Analysis vs. Communication
Thirteen Ways of Looking at a Thesis
Digitizing Folk Music History Artist Residency: Anna Roberts-Gevalt
Mapping Humbead’s Map Interactively
Journey to Humbead’s
Syllabus: Digitizing Folk Music History, Spring 2019
Syllabus: Approaching Digital Humanities, Spring 2019
Dancing In and Out of the Digital Archive
Some Preliminary Reflections on Reconceptualizing Cultural Histories of the Atlantic World, Digitally and Interculturally
A Foreign Sound To Your Ear: Digital Image Sonification for Historical Interpretation
10/16-17/18: Atlantic World Forum @ Middlebury College
10/05/18: “‘A Foreign Sound to Your Ear”—Digital Image Sonification for Historical Interpretation
09/05/18: Podcast Chat About Digital History & Cultural History of the Computer
Syllabus: The Computerized Society—A Cultural History of the Computer in the US
It’s All Related
Moving Data
Analog Music >> Digital History: Sights & Sounds From the Digital Berkeley Folk Music Festival Project
01/05/18: Digital Humanities & Pedagogy—Three History Projects in the Classroom @ AHA Conference, Washington, DC
“Through This Archiving, Collecting, & Processing We Can Hope To More Clearly Analyze”: On Brock Stuessi’s WNUR Underground Archive Project
