Archive for the ‘Unfamiliar Quotations’ Category

#390 – Culture Rover’s Unfamiliar Quotations

Monday, May 24th, 2010

the historian of customs and ideas vs. the historian of events.

The historian of customs and ideas has no less austere a mission than the historian of events. The latter has the surface of civilization, the struggles for crowns, the births of princes, the marriages of kings, the battles, the assemblies, the great public men, the revolutions in broad daylight, all the externals; the other historian has the internals, the background, the common people who work, suffer, and wait, the downtrodden woman, the child in its death throes, the muted one-on-one wars, obscure ferocities, the prejudices, the accepted iniquities, the hidden repercussions of the law, the secret revolutions of souls, the indistinct quiverings of the multitudes, those ding of hunger, the barefoot, the barearmed, the disinherited, the orphans, the wretched, and the vile, all the spineless worms that wander in the dark. He has to descend, his heart full of charity and severity at the same time, like a brother and like a judge, right down to those impenetrable blockhouses where those who are bleeding and those who strike, those who are crying and those who curse, those who go without food and those who devour, those who endure wrong and those who do it, crawl and slither willy-nilly. Are the duties of these historians of hearts and souls lesser than those of the historians of external events? Do you think Dante has less to say than Machiavelli? Is the bottom of civilization, being deeper and darker, any less important than the top? Can you really know the mountain well if you don’t know anything about the cave?

We must say, however, in passing that from some of the above you might infer that there is a clear-cut division between the two classes of historian that does not, to our mind, exist. Nobody can be a good historian of the patent, visible, dazzling, and public life of peoples if he is not at the same time, to a certain extent, a historian of their deep and hidden life; and nobody can be a good historian of the inner life if he can’t manage to be, whenever necessary, a historian of events, and the other way round. They are two different orders of fact that match each other, that always follow on from one another and often generate each other. All the lines of Providence draws on a nation’s surface have their somber but distinct parallels down below, and all the convulsions down below produce upheavals on the surface. True history involving everything, the true historian gets involved with everything.

Man is not a circle with a single center; he is an ellipse with two focal points. Deeds are one, ideas the other.

— Victor Hugo, Les Misérables, trans. Julie Rose

#389 – Culture Rover’s Unfamiliar Quotations

Thursday, May 20th, 2010

there’s no success like failure, and…failure’s no success at all, circa 1861.

We might saw, by the way, that success is pretty awful. Its deceptive resemblance to merit has people fooled. For the hordes, success looks just like supremacy. Success, that dead ringer for talent, has a dupe: history. Only Juvenal and Tacitus grumble about it. In our time, a more or less official philosophy has entered into service as Success’s handmaiden, wears its livery and works its antechamber. Succeed: that’s the whole idea. Prosperity presupposes Capability. …Be born with a silver spoon in your mouth, that’s all that counts. Be lucky and the rest will fall into place. Be fortunate, and you’ll be thought great. …They mistake the constellations of the cosmic void for the stars made by ducks’ feet in the soft mud of the bog.

— Victor Hugo, Les Misérables, trans. Julie Rose

#384 – Culture Rover’s Unfamiliar Quotations

Sunday, April 25th, 2010

Art is, above all, an act of attention.

Julian Bell, “Why Art?,” New York Review of Books

#362 – Culture Rover’s Unfamiliar Quotations

Saturday, February 6th, 2010

drawing is correcting.

At  first, you question the model…in order to discover lines, shapes, tones that you can trace on the paper. Also, of course, it accumulates corrections, after further questioning of the first answers. Drawing is correcting.

-John Berger

#345 – Culture Rover’s Unfamiliar Quotations

Sunday, November 22nd, 2009

the digital humanities, circa 1965.

For now it was like walking among matrices of a great digital computer, the zeroes and ones twinned above, hanging like balanced mobiles right and left, ahead, thick, maybe endless. Behind the hieroglyphic streets there would either be a transcendent meaning, or only the earth.

- Thomas Pynchon, The Crying of Lot 49

#338 – Culture Rover’s Unfamiliar Quotations

Friday, October 16th, 2009

I am serious about criticism. The critic has a moral requirement. He may write about a book from any view whatever, but he owes it to his audience and to the book to separate the book’s ideas from his own, and to follow it with a warning that his reaction to the particular work must be seen within that context. Without such a demurrer, all integrity leaves criticism, and one is merely producing propaganda.

- Norman Mailer, Letter to Max Glissen, 17 December 1951, published in the New York Review of Books, 12 February 2009

#329 – Highest Common Denominator

Tuesday, August 18th, 2009

envisioning the dream of the commons in mass culture.

An increase in scale does not always entail reductiveness: one effect of the best mass culture is to trace or forge the connections among the unprecedentedly diverse experiences of its unprecedentedly broad audience. When artists find this common ground, the experience, however fleeting, of so enormous a community is visionary and exalting. When they fail, they can retreat into an irony that thrives in the vast range and dense detail of American consumer culture.

- George Scialabba, writing against Dwight Macdonald’s “Masscult and Midcult”

#327 – Culture Rover’s Unfamiliar Quotations

Friday, August 14th, 2009

the economic democracy/cultural democracy problématique.

Lumping humanity into two categories, the noble and the rest, may seem to lend itself to anti-democratic sentiments or even to a violently reactionary form of politics. But Scialabba affirms the distinction without snobbery. Perhaps he suspects that the division runs right down the middle of most of us. Even so, it can undermine the will to egalitarianism. Economic leveling means giving more to those who have less. Cultural leveling seldom has that implication. How, then, to resolve the tension?

- Scott McLemee, “A Worried Mind,” Introduction to What Are Intellectuals Good For? Essays and Reviews by George Scialabba.

#310 – Culture Rover’s Unfamiliar Quotations

Wednesday, May 6th, 2009

a reminder from bygone days.

Commerce must serve society or it is not commerce, but piracy. – “Progress” advertisement, N. W. Ayer & Son Advertising Headquarters, circa 1900

Special thanks to Charles McGovern, Sold American.

#304 – Culture Rover’s Unfamiliar Quotations

Wednesday, April 8th, 2009

of massy bodies & mutual concert.

The greatest difficulty lies, in setting a huge massy body in motion. To point out to mankind their real interest, is easy enough; but to convince them of their duty, and to persuade those who are activiated by different views, and subject to different passions, to lay aside their prejudices, to give up a strong attachment to their immediate interests, and to act in mutual concert, for the good of the whole, is an arduous task.

- “Libertas at Natale Solum,” South-Carolina Gazette, 20 August 1770, quoted in T.H. Breen, The Marketplace of Revolution